Monthly Archives: December 2007

Eureka!

Artist: RAMP (Roy Ayers Music Productions)
Title: Come Into Knowledge
Label: ABC Blue Thumb
Year: 1977
Format: Vinyl LP (Original)

Front

Review
A moment of silence (hush the keyboards please)…
.
.
.
I’m at a lost for words…
This is another one of the GREATEST albums EVER made. PERIOD. Anybody who know…KNOWS. Melodic, dreamy, ahead of it’s time, this music is single-handedly kicking 1977 in the @ss…with steel-toe Colorado boots on. I also feel that this LP is the originator, the great grandaddy, the grand puba of what we now call, Neo Soul. Everybody knows that 1977 was one of the years where everybody in soul and r&b was switching to disco music. NOT RAMP, Roy Ayers and Edwin Birdsong wrote and produced this album into an unsuspecting cult classic. This album didn’t do well back when it was released, but now has become one of the holy grail records for collectors…very sought-after. If you all come across this LP, buy it, no matter the cost, you won’t regret it.

Anyhow, RAMP hails from Cincinnati, Ohio…and interestingly enough, they’ve formed back together and are touring, bringing these ultra rare killer grooves to today’s generation, and putting smiles on the faces of old fans. Check them out here.

Check out the sample audio for these timeless tracks…PLEASE, enjoy.

Cover

Everybody Loves the Sunshine (RAMP mix)

Daylight

Come Into Knowledge

I Just Love You

Notable
Album is written and produced by Roy Ayers and Edwin Birdsong
Album has been a major target for samples from classic artists and groups

Cover

Design
Niiiiiiiiice logo! I like the fact that the letters connect at the base. Nothing breathtaking, but it’s a solid mark. The 3-d illustration on the cover is cool, a brain made of little tunnels, representing the title, which is Come Into Knowledge…artwork by Masaki Sato.

The back is pretty straight-forward. Three column grid, left column aligned right, right column aligned left, with photos of the group running down the center column. Less is more, it gets the point across.

Cover

posted by: Darien of flwrpt

Rev McD.

Artist: Eugene McDaniels
Title: Headless Heroes of the Apocalypse
Label: Atlantic
Year: 1971
Format: Vinyl LP (Original White Label Promo)

Front

Review
A moment of silence (hush the keyboards please)…
.
.
.
Okay, here I present you with one of the greatest funk/soul/blues albums of all-time, that’s right…ALL-TIME. Headless Heroes of the Apocalypse, by Eugene McDaniels, is one of the most sought-after records by record enthusiasts worldwide. Why? Only because the tracks contain some of the sickest drum breaks, bass lines that traveled the underground railroad, and arguably the most controversial subject matter of its time (1971)…there is some DEEP lyricism going on in this LP.

Before I had my own, I hadn’t heard this record completely…only the myths of its greatness (from storytellers such as ?uestlove of the Roots, and Waajeed of the Bling 47Group). I must say, there is no myth, this is one of my favorite albums, and I continue to enjoy it more and more w/ each listen.

Check out the sample audio…

Cover

Supermarket Blues

Lovin’ Man

Notable
Album features a young Alphonse Mouzon on the drums
Album has been a major target for samples from classic hip-hop artists and groups

Cover

Design
The album art looks like it could be for a folk album or something. But once you really take a look at it, it’s pretty damn cool. Two opium-addicted chinamen (just kidding)…two Samurai swordsmen engaging each other in battle, while the head of Eugene McDaniels is placed in the center of the two men, as if to say they’re going for his head.

I am loving the fact that designer Thomas Nittner decided to treat the artists name as a jewel, so-to-speak, while the title of the LP wins the battle of hierarchy. But notice that beneath McDaniels name, it reads “the left rev. mc d.”. It’s not clear what that means, other than Reverend McDaniels, but I like it…it’s kinda open for interpretation I guess.

On the back cover there is a very intense oil painting on canvas of a samurai with a red eye, again, I’m not quite clear on it’s full meaning. To the left of the images is a quote from McDaniels that reads, “we have killed the very earth beneath our feet…yet we still kill each other and speak of the future”. I think that’s a very powerful statement that still can be something to think about…even today. To the far right, is a nice simple left aligned column w/ bold and regular fonts (Helvetica)…just clean.

Cover

posted by: Darien of flwrpt

Brother Weldon.

Artist: Weldon Irvine
Title: Sinbad
Label: RCA
Year: 1976
Format: Vinyl LP (Original)

Front

Review
Back again with another holy grail piece from none other than the late great Weldon Irvine. This LP is very similar to Spirit Man, (in which you can read that review in the archived post on Brother Weldon). Similar in that they both have that cosmic sound, they both display Irvine’s versatility, and they both definitely bring a sound to the table that one can’t get from just any record of the time period. Something that I really like about Irvine’s sound is that it’s very dirty, and grainy in sound, but the music still pushes through strong.

Sinbad holds the original for “Music is the Key”, and anyone who knows their sh!—I mean their music, knows Bernard Wright, and if you know Bernard Wright, then you know about “Music is the Key”. Inquiring minds, seek that track!!! But as I was saying, the original of that song is on this album and it blows me away EVERY time, it’s much more intense than the Wright cover.

I don’t want to say too much because I really want you all to go out and seek this album, get it, drop the needle on it, take it in…experience it the way I was able to experience it!!! Be surprised…BUT FIRST…check out the snippets I’ve provided for you guys to give you a sense…

Cover

I Love You

Sinbad

Notable
Album features guest Don Blackman
Album features a cover of What’s Goin’ On?

Cover

Design
Now this cover…I LIKE!!! Why? because anybody who can make a dope watercolor painting is definitely getting my respect, everyday all day!!! This is the artists interpretation of Weldon Irvine as Sinbad the sailor!!! Instead of journeying through the east of Africa and the south of Asia, he takes us on a journey through music. The sea creatures and the costume painted on Irvine is cool too. Nothing out-weighs the signature blank stare that Irvine carries as tradition on all of his album covers. No expression…even going back to Liberated Brother.

I really like the font used here, it’s very 76′ish, it’s got that “groovy” look to it, but there’s something about it that says “the sea”. To me it evokes that feeling so it’s working.

The simple layout of type on the back is functional and it works also, less is more, doing its job. The painting calls enough attention to the cover so having all excess copy fall back, visually, was a great design decision, in my humble opinion…

Cover

posted by: Darien of flwrpt

%s1 / %s2