Artist: The Gaturs
Title: Wasted
Year: 1970
Label: Gaturs Records
Format: Vinyl LP (Original)
Flwrpt Rating of this Record: 4.75/5.0

Review
The Gaturs are one of the best unheard-of funk groups in music history, representing the very strong New Orleans funk scene of the 70′s. They didn’t sound like the other artists and bands who came out of that same scene, legends like The Meters and Allan Toussaint just to name a couple. But The Gaturs held their own…their funk sound is HEAVY, RICH, and deeply rooted in the bayou funk style. This album is their only full LP, which makes it that much more special. Truly, a lost gem and one of my favorite records to date…
Check out the sound!
Cold Bear
Gator Bait
Concentrate
Man That I Am
Design
This cover isn’t the greatest, however, it has that raw, gritty look and feel that appeals to me for some odd reason. The photo here is an “in-the-moment” capture of the group performing live, and that energy just travels directly through to whoever is interacting with the cover. The bold “Gaturs” logo is also a bit rough around the edges, but still has a dominant presence and really owns the 12″ x 12″ canvas. Something about it, I can dig…
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Additional info on The Gaturs











Love Satellite.
Artist: Ronnie Foster
Title: Love Satellite
Year: 1978
Label: Columbia
Format: Vinyl LP (Original)
Flwrpt Rating of this Record: 4.0/5.0
Review
Solid LP from the talented keyboardist/pianist/organist Ronnie Foster. This album represents his style post-Blue Note. Sonically, this is where his sound took off I would say…he really began experimenting with synthesizers, exploring a crisp sound, and including more vocals into his work. He was very successful with this release, Love Satellite. Foster is really good friends with Stevie Wonder, and he contributed to the production of this record, along with other great studio musicians such as drummer Harvey Mason. They all come together to create a great sound here, have a listen…
Check out the sound!
Love Satellite
Happy Song
Design
I’m always a fan of a pre-photoshop image manipulation of some sort. This cover was created in 1978, notice the overlay technique of the profile shot, versus the straight-forward shot. Simple, but very graphic! The cream border is a nice elegant touch, and the wide typeface living within it jives nicely. This is an effective cover, and there’s something about it suggesting speed, or some sort of sonic sound (maybe that’s just me).
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Additional info on Ronnie Foster